Looking for extras and locations, a filmmaker settles on Chiloé, the second largest island off the coast of Chile. He does auditions, but mainly listens patiently to the stories of young and old people. As an outsider, he cautiously searches for the soul of the community and its underlying tensions.

The Winds Know That I'm Coming Back Home

Two women who have spent their whole lives together must deal with the illness affecting one of them. The sick woman decides not to have treatment and they move into a cabin in the woods to wait for the day that death will come into their lives. The situation sees the resurfacing of the love that time had buried under the routine. Gradually their relationship will strengthen as death bides its time outside the cabin.

Ölüm Gelecek ve Gözlerini Alacak

Belgian civil engineer Gustave Verniory still had a lot to learn when in 1889 he was hired to construct a railroad across the unspoiled natural landscape of Araucanía, a region that had recently become part of Chile. The tumultuous past and the ever-changing landscape are a constant background presence in Notes for a Film.

Notes for a Film

Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.

Como me da la gana II

A director's love letter to his neighborhood: its people, his house and his family.