A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…

Lapses, Regrets and Qualms

The film follows the migration strewn with pitfalls of Chinese crabs, imported from China by accident at the beginning of the 20th century, which are born in the North Sea, go up the rivers of Flanders to grow there for a few years, and return to the sea to reproduce and die. The director uses a big range of forms and approaches, including slapstick, to build these crabs’ lives into an existential metaphor, which expands the method she already mastered in the previous film Dans le regard d’un bête. A modern poetic parable, between reality and fiction, open to the fragmentary diversity of reality.