He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?

In the Interstices of Reality or The Cinema of António de Macedo

The autobiographical texts and letters by film director Manuel Guimarães, and exchanged by him with friends, are the axis for the intimate narrative of his life, social concerns, passion for movies - while revisiting many movies of the 20th century and his complete filmography. One segment documents the epic way directors attempted to bypass official censorship to show their movies out of the country.