Small stories, the change of movement, arises from the inside of the visual image: A poet reading verses through a barred window, a Mongolian girl lights a fire in the oven and blows on the flame as if it were a wolf howl in the steppe. Like fire, the film grows out of itself in the rhythm of editing.

Fire

Diverse days of one provincial embankment. In a remote area of ​​the provincial town, there is an unremarkable old embankment. It was built in Soviet times. At first glance, it may seem that nothing has been happening here for a long time. But observing the same place from the same survey points throughout the year, important changes are discovered, associated not only with natural phenomena, but also with people coming to the embankment. Some of the townspeople appear several times throughout the film. And it becomes clear that these walks along the river are a daily ritual for them.