In early 2013, it was announced that choreographer and dancer Benjamin Millepied, known as the man behind the ballet of Black Swan, would take over as director of the Paris Opera Ballet. Reset finds Millepied on the eve of his first gala with the Opera, designing and refining his inaugural choreography for the esteemed institution. As a film, Reset possesses of the same artistic assuredness as its subject as he blocks out the preliminary steps for his choreography. It explores various concepts of space simultaneously: the digital space, the space of the opera house (each scene opens with a declaration of which studio it’s in) and the space of the stage, the distance from stage right to stage left. It’s a portrait of a watershed moment for one of the ballet's oldest institutions and one of its brightest new stars, both on the cusp of great transition.

Reset

Carmen, annesi vahşice öldürülünce Meksika çölündeki evinden kaçmak zorunda kalan genç ve bağımsız bir kadındır. Amerika Birleşik Devletleri’ne yasadışı bir sınır geçişinden sağ kurtuldu, ancak kanunsuz gönüllü sınır muhafızlarıyla karşılaştı. Bir sınır muhafızı ve devriye ortağı Aidan ölümcül bir çatışmaya karışınca ikisi birlikte kaçmak zorunda kalır.

Carmen

The various creators and talents have created a brilliantly choreographed work, in which the camera dances and becomes a central character, following and confronting the various performers. The result is a firework display of body and camera movements, captured with the help of five ingenious rigs.