A curious couple, whose existence takes place where art arises along a singular metaphysical desire. They search for it through repeated and varied representations, in a setting of light where hope and desperation blend together.

Beduino

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

The Long Voyage of the Yellow Bus

1972. A Kombi travels from Amsterdam to Goa, India. This journey is the raw material for Boom Shankar, the only film directed by Guará Rodrigues, a mythical character in Brazilian cinema, both as an actor and behind the camera, as an assistant to some of the greatest directors of the period. That film disappeared before its release, but some recently found fragments are combined with testimonies from members of the trip that recover the libertarian and pioneering spirit of the time.