An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.

The Good Cinema

Private eye Peixoto tries to hunt down hunk Sebastian and gets more involved in the case than he expected.  Brazilian musical comedy inspired by the Film Noir genre and re-interpreting the old sambas of famous composer Lupicinio Rodrigues into a gay universe.