Archival footage tells how Bosnian miners cooked the traditional dish to eat together after the shift. Culinary history aside, this relevant metaphorical social drama unleashes Zlatko Buric as a vampire goblin on stage.

Bosnian Pot

Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

Quit Staring at My Plate

Summertime. The Mediterranean. Siesta. The father and son are asleep in the girls bedroom, while the dining room with sea view is bustling with life. The mother and two daughters are cleaning up after lunch. A tennis ball falls onto the balcony. The youngest daughter runs out. After talking to her boyfriend, she puts on tango music and the sisters start dancing. The mother sits down on the chair outside and looks out towards the sea. The father is awake. He looks in the direction of the sound and realizes things are about to change. Tango.