Chano is deported back to Mexico after living most of his life as an ilegal immigrant in the USA. Now, away from his wife and kids, he lives alone and depressed in the country where he is supposed to belong. While rebuilding an old motorcycle with Don Memo, a retired motorcycle racer, with whom he is forced to work, he will discover where his real home is.

Number Eighty

Two decades ago, Venezuela's power trio Dermis Tatú released their only album, "La violó, la mató y la picó" ("Raped her, killed her and cut her"). The band was an offspring from the separation of Sentimiento Muerto, and was formed by Carlos "Cayayo" Troconis (voice and guitar), Héctor Castillo (bass) and Sebastián Araujo (drums). The record is still considered by many as the most influential in the Venezuelan rock scene.  Twenty years later, Castillo and Araujo remember the stories behind the recording, as a group of the current generation of Venezuelan rockers, not only explain its influence and impact, but also play all the songs from the album, making them their own.