The film narrates a tormented love story between one of the most famous poets of Serbian literature, Laza Kostic, renowned for his sublime poetic puns and word coining and an enchanting young girl by the name of Lenka Dundjerski, an educated and refined daughter of a landowner Lazar Dundjerski. Standing in the way of their love is the insurmountable age gap between the two, as Kostic is 29 years older than his beloved one. The affair inspired one of the most sophisticated and tender love poems of the time, an utmost expression of yearning, in which the poet's unflinching devotion is linked to his admiration for a Venice basilisk by the name of Santa Maria della Salute.

Santa Maria della Salute

Musical takes place before summer break, six months before the original movie "Next to Me' takes place. Characters are more immature and younger than in the original movie, and with their actions lead others into unpleasant situations, sometimes even hurting them. Some of them learn something from their experiences, learn how to apologize and forgive, while others don't.

Next to Me, Musical

Friends and colleagues talk about the life and work of Zoran Radmilovic (1933-1985), one of the best Serbian actors of all time.

One Hell of an Actor

Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.