Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Zombies in the Sugar Cane Field: The Documentary

A history of Argentine horror cinema, from its beginnings in 1934 to present day. It is a path of defeat, dead-end streets and triumphs, where the protagonists will lead us through the lesser known hallways of local horror.

Another Cursed Movie

One hot summer at the beginning of the new millennium and on the eve of the great economic crisis of the year 2001, a group of adolescent girls falls madly in love with a boy called Diego. The romance is interrupted when Diego starts hanging out with Silvia, a 30-year-old woman he met in a chat room. Then Natalia, one of the teenagers, decides to turn to the knowledge of her grandmother Rita, and thus ward off the disappointment by using an ancient dark power.

The Virgin of the Quarry Lake

Benavidez is a frustrated art teacher, argues with his wife and seeks refuge in his psychiatrist's house. He becomes a victim of the house system, and at the end of the road he will change his life and his destiny forever.

Benavidez’s Case

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

The Returned

Through archive footage and images as well as interviews, the movie paints the portrait of a legendary trans womens' rights activist in Argentina. Like a family album to flip through, the narrative charts the ties solidarity and mutual aid create between people of the LGBTQI+ community and the long road to make the personal political, during the brutal 1980s in latin America.