In a dystopian society where photographing the living is a severe crime, Antoine, a photographer specializing in cadavers, leads a grim yet peaceful existence. His work keeps him in a safe zone until his greatest rival, Jean-Pierre, breaks all the rules by capturing a forbidden image of a living giraffe. Feeling his reputation threatened, Antoine embarks on a journey to outdo Jean-Pierre, even if it means risking his own freedom- and life. Amidst corpses, cameras, and irony, Antoine must decide how far he's willing to go to be the best.

Mise-en-Scène des Morts

Jodie ran away from a loveless home two years ago, scraping by on her own in a dingy studio apartment. After she learns that her younger brother has been fighting people at school, Jodie must re-enter her past life to pull him from their mother's oppressive grasp before his situation gets even worse. After wading through and re-igniting past conflicts with a new perspective, and putting her brother in more danger than he was already - she must decide whether her brother is the one that needs saving after all.

A Good Home

Martin Scorsese in 1990 talks to T.J. English

Martin Scorsese on Framing

In a dystopian world populated by animated wine glasses, a timid character tries to escape an important rite of passage.

Pour 585

Pills and capsules are choreographed into a cacophony of shape, color and size, resulting in a satirical commentary about our cultural, recreational, and economic infatuation with prescription drugs.

Candy Shop

There are currently 393 million firearms in the US. This film shows 2328 of them. Take a look. Blink, and you’ll miss five. The frightening visual power of guns gets a whimsical treatment with jazz percussion, and a sizeable dose of cultural irony.

Gun Shop

"Beyond Noh" rhythmically animates 3,475 individual masks from all over the world, beginning with the distinctive masks of the Japanese Noh theater and continuing on a cultural journey through ritual, utility, deviance, and politics.

Beyond Noh

This 22nd edition comprises 10 films -- nine recent, along with one restored classic -- which deal with both the anxieties and hopes of a world faced with a seemingly endless series of existential crises. All are inventive, their tone ranges from the whimsical to the profound; their techniques, from stop-motion to hand-drawn to computer-aided.