Devising a fantastic universe, in which ancient make-up and costumes share the screen with contemporary elements such as limousines, helicopters and mobile phones, 'Philosophy in the Boudoir' intends to blur the borders of realism and make the spectator get closer to timeless issues. The boudoir inside an industrial plant brings an aggressive aesthetics to the teachings and orgies. The takes are developed in different ways. The franzy of orgies has a fast editing, whilst philosophical moments are long sequence shots. By bringing to the contemporary world a 200-year-old romance, we intend to trigger questions about the real moral changes in Western society. It is also interesting to highlight Sade's feminism. His female heroes are independent women, masters of their own sexual drive. At last, due to the solid theatrical background of the artists, the film was inevitably contaminated by unusual procedures, contributing to new possibilities of exchange between arts.

Philosophy in the Boudoir

In a culture in which relations of repression are established over the body, the figure of the devil is constantly linked to it, whether through association with sexual freedom or through the idea of control and punishment. In view of this, the show created from the performativity in dance proposes to research the philosophical and experiential developments that this situation can generate in our society. Conceived by the Teatro da Pomba Gira Collective, Demons launches to open his sores and see power in the darkness.