Kandahar Journals is the story of a photojournalist who reflects on the events behind his psychological transformation after covering front line combat in Kandahar, Afghanistan from 2006 to 2010. April 2006. Photojournalist Louie Palu finds himself in the midst of body parts and the smell of burned flesh. On his first visit to Kandahar he is covering a suicide bombing. Arriving in the country as the wars violence spirals out of control, Louie is unaware that he will spend the next five years covering the conflict. Louie begins writing a series of journals reflecting on his personal experiences and what the war looked like and felt to him.

Kandahar Journals

From its shocking opening image of a bridge snapped in two, Zero Position crosses an eerie landscape fractured by dueling Russian separatist and Ukrainian forces. On this cinematic journey, there are no interviews or extensive explanations of the conflict between the opposing sides. Accompanied by an evocative soundscape, the film moves like a ghostly presence through a troubled region, pausing at heavily armed checkpoints and competing front lines. As the camera captures people scurrying past the aftermath of conflict, carrying plastic bags bulging with items gleaned from abandoned homes, we see the stark reality of a people caught in a borderland between East and West. Director Louie Palu's expressive, sparse and poetically delivered voiceover adds context to places the nightly news cameras don't take us, including an old coal mine and a family's home. Through its mood and atmosphere, Zero Position offers us an experiential look at a region on the brink of all-out war.