For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.

The Other Side of Everything

‘How are women doing in Brazil?’. It is this intriguing question, posed by an Italian journalist, that Helena Solberg tries to answer through elements of her films, from the 1960s to the present day. Along the way, encounters with figures such as Heloisa Teixeira, Rita von Hunty and Helena Vieira illuminate some of the cracks in this broad debate.

Um Filme para Beatrice

Three-channel video (black and white and color, three-channel sound) commissioned by the Museum of Modern Art, New York, for the entrance to exhibition "Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980".

We Build the Country - The Country Builds Us!

A Serbian mother and daughter transform the domestic drudgery of cleaning the family silver into a reflection on how heirlooms embody their owners' histories. Stories of war, displacement and revolution emerge as the tarnish is polished off, like a genie rubbed out of a lamp, and recollections reconnect them to their relatives through the shared objects that have touched all of their lives.

Family Fortunes

An archival road trip with Stevan Labudović, cameraman to Yugoslav President Tito and cinematic eye of the Algerian revolution, investigating the role of cinema in the liberation struggles of the Third World and reconstructing the birth of the Non-Aligned Movement.

Ciné-Guerrillas: Scenes from the Labudović Reels

Explores the never-before-seen footage of Tito's cameraman documenting his trips to Africa and Asia to promote a third way amidst the Cold War.