Passages showcases Brazilian films in which the utilisation of artforms and media such as literature, painting, theatre, music, photography, radio and television, functions as a 'passage' to political and social reality.

Passages: Travelling in and out of Film through Brazilian Geography

Mangue Beat, a musical and aesthetic movement which emerged in Pernambuco in the 1990s, transformed the visibility of the peripheries and cultural manifestations of the metropolitan area of Recife and placed the state on the map of the world music market with the launching of bands like Chico Science and Nação Zumbi and Mundo Livre S.A. The film experiments with the freedomn of thought of the Mangue using a plural language, which brings togther ideias and ideals, refleting the daring which resulted in the great symbol of the movement: a satellite dish planted in the mud of the estuaries - the Mangue.

Manguebit

Saudade

Flavia Ribeiro meets 8 female ex-offenders with whom she helped as a volunteer in the Women's Chain, city of Santos. Together, in a inhospitable and precarious space, they transformed anguish into art, rebellions into dialogue, despair into hope.

Prison Flowers

The anguish of an artist on the day of the presidential elections in Brazil in 2018.

Tropical Abyss

The trajectory of one of the greatest circus masters in Brazil, Zé Wilson, returning to his hometown, in the hinterland of Alagoas, when, together with his troupe, he revisits the history of the circus in Brazil.

The Circus Is Back

Edmundo is the caretaker of a ranch in São Paulo. He lives isolated in nature. His mother's presence haunts him with poetry and memories of the hinterland where he was born. The fine line between memory and delirium leads Edmundo to plunge into fantasies. The poet-caretaker, face to face with death, seeks to give significance to life.