A documentary following the production of Isao Yukisada's Pigeon which looks into filmmaking, unity, fate, and history through the influence of the late Yasmin Ahmad.

Yasmin-san

A young Chinese Malaysian woman becomes involved in the sordid world of human trafficking as she tries to make a better life for herself with a  dream of moving to Taiwan.

We, the Dead

Grieving over the death of an ex-girlfriend, Jia Le moves in to stay with an actor friend. The actor, however, often suffers spasms of pain in his body as he prepares to move to China for a better life. Before leaving, the actor performs in an adaptation of controversial writer Yukio Mishima's Noh Play, 'Dojoji'. Both men try to find a glimmer of happiness in their lives.

So the Wind Won't Blow It All Away

Satsuki lost her boyfriend, Hitoshi, in a car accident. Unable to face up to his death, she spends her days unable to sleep properly. At some point, Satsuki began to jog at dawn as part of her daily routine, and on a bridge she always passes, she meets a mysterious woman named Urara.