Patrick Edlinger was the favorite personality of the French in the 1980s. With his long hair, athletic body and astonishing ease, the pioneer of bare-handed climbing, the freedom-loving climber, became the symbol of an entire generation before disappearing prematurely in 2012, at the age of 52. This documentary is a journey to the heart of his adventures, his passions and his art of living to bring back to life during the film, the sensitivity and generosity of an extraordinary climber.

Le Dernier Voyage de Patrick Edlinger

In this film, following in the footsteps of Patrick Edlinger, Christian and Olivier build the legendary roof of La Piade (Toulon, France) solo in deep water. Up to 18 m high, the two climbers are keen to work the route without a rope. The Piade site appears in the first minutes of the film “La Vie Au Bout Des Doigts” by Jean-Paul Janssen. At a height of 15m, after several summers of work, Olivier is one of the rare local climbers to have completed this route. Today, it is Christian who is taking on this same challenge. The two climbers are keen to work it without the help of a rope. After each fall, they must start the route from the beginning. Guided by his elder, the film recounts Christian's progression and success on the path. It is also the story of their friendship and the joy they share together, suspended, “at their fingertips”. Determined, Christian works the route in summer, as in winter, despite the sometimes unpredictable conditions.

Une Araignée au Plafond

En Solo : L'ivresse des sommets

In the 1980s, Patrick Edlinger, nicknamed "Le Blond", painted with the grace of a poet the first chapter in the world history of free climbing. In his hands, marginal exercise has become a real lifestyle, carrying a message of freedom. His famous solos, beyond the proven feat they represent, bear witness to this. Life at Your Fingertips, the first internationally known climbing film, touched and inspired by generations of climbers; Edlinger was one of the meteors that shone light on the cliffs of the world by following the trajectory of a single idea: to be free to live only by "climbing". Yet the man capable of concessions in the face of the necessities of life (competitions, advertisements) and pressure from the media, his public and the desires he aroused.