A portrait of Michal Bat-Adam the first and only woman director in Israel to regularly create films since the 70s. The film intimately documents her and her husband director Moshe Mizrahi sharing the struggle to make films despite aging.

Hope I'm in the Frame

Israel 1948. A house by the sea in Jaffa, from which Palestinian families have had to flee in haste, becomes the home of Jewish survivors who managed to escape the inferno in Europe. Out of the turmoil of their existence, under the shadow of the unresolved conflict between Jews and Arabs, rises a desperate cry for

The Road to Where

Hila is a single mother of a 7-year-old girl named Naomi. Hila discovers that Shaul, her daughter's father, has returned to Israel with his family after years abroad. Shaul does not know that he is Naomi's father and is not even aware of her existence. Hila, who is still obsessively in love with Shaul, tries to talk to him but he avoids her, leading her towards a mental breakdown. When Hila's heart finally opens to another man, she is attacked by anxiety, fearing she will lose Shaul forever.