800 liters of water, two sails, thirty pulleys, sixty hammocks: for the Bicentenary of the Teatro Real of Madrid, Deborah Warner coined a colossal production of Benjamin Britten's Billy Budd.

Billy Budd

A guileless Japanese girl gives up everything to marry a lieutenant in the US Navy. But when he suddenly leaves the country, she is determined to wait patiently until he sails back into harbour.  Live from Valencia's iconic Palau de les Arts, the audience favourite Madama Butterfly returns with soprano Marina Rebeka and tenor Piero Pretti in the leading roles. Director Emilio López’s staging culminates in the bleak landscape of Nagasaki destroyed by the atomic bomb to evoke Puccini's early outcry against the soul-crushing spirit of colonialism.

Madama Butterfly - Valencia

To elevate a jester to a tragic stature comparable to a Macbeth or a Lear is no easy feat. The dramatic essence of Shakespeare runs in the veins of this Rigoletto, although the story is based on the controversial Le roi s’amuse by Victor Hugo. While the play was prohibited in France for more than fifty years, Verdi himself fought with the censors who initially prevented the publication of his opera. Multi-faceted, perhaps more than any other opera by Verdi - tender, cruel, interspersed with remarkable strokes of black humour -, Rigoletto is also a heart-wrenching study about the love between a parent and a child. Given the helplessness of a woman in the face of a group of men, Teatro Real’s production, which is directed by Miguel del Arco, also considers society's concept of masculinity. Nicola Luisotti conducts some of the great voices of our day, including Javier Camarena, Ludovic Tézier, Marina Viotti and Adela Zaharia.