Archival footage tells how Bosnian miners cooked the traditional dish to eat together after the shift. Culinary history aside, this relevant metaphorical social drama unleashes Zlatko Buric as a vampire goblin on stage.

Bosnian Pot

Franka turned twenty and moves out from her parents’ home due to feuds with her domineering fa-ther. She goes to the apartment inherited from her grandmother, where she runs into illegal occupant and law student Ante. Instead of throwing him out, Franka lets Ante stay for a few days. What starts as a romance, soon turns to a nightmare that, coupled with a newly struck friendship with a troubled co-worker Stela not only tests Franka’s character, but also helps her to realise what she wants out of life.

Hallway to Nowhere

It is the mid 17th century. The Jesuits spread their influence in Central Europe. Maria, a young Countess lives in the castle. Father Had is a honest and ardent servant of the Society of Jesus. He is dedicated to his life's mission, and as such he is an ideal tool in the hands of his superiors, who have their own plans. Had becomes Maria's confessor. Her woman's charm, intelligence and energy, as well as her beauty, are a constant temptation to him. Jesuits are making pressure on Had to finally realize their plans. Will the Jesuits, at last, achieve their goals and take the castle?

The Society of Jesus

Four close friends, Lovro (21), Nenad (20), Stevan (22), and Ivan (20), fought against the Ustashas and Nazis by joining the partisans in WWII. Sixteen years later, they became renowned filmmakers. In 1957, in Communist Yugoslavia, their sexual orientation raises suspicion, and a communist party loyalist named Emir (52) is assigned to sabotage their careers and lives. The pursuit of freedom becomes a fight for survival for the artists, while Emir's beliefs are challenged.