Perhaps at first glance, the filmography of Silvio Narizzano appears unremarkable. Thanks to his sleeper hit Georgy Girl (1966), he's known largely as a "one-hit wonder" director. Upon closer inspection, however, likely no other filmmaker used cinema as effectively to exorcise personal demons in ways both ugly and beautiful. And few directors' sensibilities were more gay, both overtly and covertly. Film historian Daniel Kremer is your tour guide through an obscure, perplexing body of work heretofore ignored and often unfairly shunned. Cruel, Usual, Necessary: The Passion of Silvio Narizzano is an essay documentary of discovery.

Cruel, Usual, Necessary: The Passion of Silvio Narizzano

In this warm, zesty comedy, Cowboy, a senior citizen ex-lawyer and gambler, is persuaded by his spunky seventeen year old neighbor, Rachel, to seek retribution for having been cheated in Las Vegas many years ago. So begins a wild adventure that marks a young girl's rite of passage into womanhood and an old man's bittersweet final awakening to life, love and happiness. Along for the ride is Maggie, Cowboy's salty ex-girlfriend, Buddy Boy, Cowboy's best friend, and Harold, an unusually young Vegas motel owner who falls hard for Rachel.