Salvatore Todaro is the captain of the Cappellini. He leads in his own way. The bow is reinforced with steel in the off chance an opportunity to ram a ship arises and his crew is armed with daggers should a hand-to-hand battle occur.

Comandante

In central Italy, during 1860, a poor farmer by the name of Terenzio Grossi manages to form a gang composed of young rebels, his goal to try and revolt against the newly formed Piedmont State. Disillusioned with politics, hungered by ever-increasing taxes and unwilling to participate to mandatory draft by the army, the gang will seize the Pesaro and Urbino Province with the help of a growingly restless and angry population. In two years of crimes, violences and murders at the expenses of the richest and noblest, the gang will rise to its fortune in spite of coward and unprepared local authorities. Only one soldier will pick up the fight and stand fearless in the line of duty: a brigadier of the Reali Carabinieri determined to capture Terenzio and his gang mates at any cost. An irrepressible man of great integrity, the Brigadier will have to grow aware of the poor conditions of the villagers of the area and when law will start making compromises in the fight against crime his conscience and uprightness will be challenged.

La banda Grossi

Fabrizio, a poor thief from the Roman suburbs, finally has in his hands the man who ruined his life: James Bond.

The Man Who Killed James Bond

Daria is getting married, and Antonio is the best man. They are two artists who have lived in the same building for years, but now she’s moving to another neighborhood. They get to work on a new project inspired by Federico Fellini’s Ginger and Fred, and bring in Emanuele, Monica, Francesco, Martina, and Andrea. First, tap dancing classes, as the script comes together one day at a time, with rehearsals in Rome, Rimini and France, in theaters shut down by Covid-19. Euphoria is running high, despite the uncertain times, and our theater troupe starts to resemble a gaggle of shipwreck survivors, bewildered by the way real life gets confounded with what is tentatively shaping up as the stage production.