The trajectory of Antônio Carlos Bernardes Gomes, known as Mussum, from Trapalhões. His poor childhood, his military career, his relationship with Mangueira and his success with the group Originais do Samba, as well as behind the scenes as a member of Trapalhões.

Mussum: O Filmis

When a child is forced to become the house's adult because her father is sick and her mother is dead, there's an inversion in the natural order of things. Childhood becomes a saga. And the frustrated parenthood turns into a conviction.

The Father's Shadow

Pilar, a young hotel maid, has her path crossed by Shin, a middle-aged South Korean guest. The plans of both go wrong and, despite everything that separates them, they end up getting closer and establishing a relationship of solidarity.

Fortaleza Hotel

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.