A cinematographic “cadavre exquis”, whose entrails reveal the odd nature of a (un)certain Belgian cinema. Authors, directors, actors who have proved that imposture could be an act of creation. Convinced that any so-called “new” cinematographic production was in fact a rehash of what had already been made, these pirates of images snuck as forgers, liars, tricksters, usurpers, … Outlaws of the cinema who falsified its form. From the filmed imposture of Man Bites Dog to Jan Bucquoy’s fabulist biopic, everything participates in the dynamiting of institutional language through simulacrum and absurdity. This free journey in the “cine-belgitude” has for vocation to approach these marvellous eccentrics followers of a overexcited and stripping situationism.

Mad in Belgium

A man accepts a concierge job, which comes with a small apartment, in an old building and, locked inside his lodgings, undertakes a strange job of grieving. He discovers that behind the walls, a system of secret corridors allows tenants to be observed. But is it really the tenants that he is spying on?

Axolotl

On vacation in the countryside, a filmmaker thinks about the mourning of his parents. As their faces, and most especially their gaze, fades away, he starts meditating on masks as passages to the afterlife.