Serseri ruhlu, umursamaz ve başına buyruk genç kız Bianca. Olabildiğince iyi yürekli, zihinsel engelli genç adam Laci. Ve hiç düşünmeden, öylesine kaçırılan bir bebek... Birbirlerinin eksikliklerini tamamlayan, bebekle kendilerince bir aile kuran, bir karavan çalıp yollara düşen Bianca ile Laci’nin hızlı, kaygısız, şiirsel mutlulukları, peşlerinde polis varken ne kadar sürecek? Macar yönetmen László Csuja’nın türler arasında gezinen ilk uzun metrajlı filmi prömiyerini Karlovy Vary Festivali’nde yaptı. Özel Olimpiyatlar’da paten şampiyonu olan László Réti, Laci’yi; Macar Instagram fenomeni ve şarkıcı bbiankaa ise Bianca’yı yetkinlikle canlandırıyor.

Çiçekli Vadi

Daniele is a young man from Sant’Erasmo, an island on the edges of the Venice Lagoon. He lives on his wits, isolated even from his peer group who are busy exploring an existence of pleasure-seeking expressed in the cult of the barchino (motorboat). This obsession focuses on the building of ever more powerful engines to transform the little lagoon launches into dangerously fast racing boats. Daniele too dreams of a record-breaking barchino, one that will take him to the top of the leader board, but everything he does to further his dream and win respect from the others turns out to be tragically counterproductive. The decline that erodes the relationships, environment and habits of a rootless generation is observed from the timeless perspective of the Venetian landscape and its island outskirts: the point of no return is a foolish, vestigial tale of male initiation. Violent and destined to fail, it explodes dragging the ghost city along on a psychedelic shipwreck.