Twenty-year-old Elya is a student and a future ecologist. One day, Matvey, the head of a construction company, comes to her university to talk about a development plan on the site of an old forest park. Elya does not hesitate to smash his project to smithereens. Matvey is intrigued by the girl's self-confidence and uses his usual methods of influence - he simply tries to "buy" her. But Elya doesn't need a sponsor. Then Matvey, surprised by her impregnability, offers Elya a bet: seven romantic days according to his rules. If after that the girl still decides to leave, he will refuse to build a skyscraper in the forest park. She agrees when Matvey really suspends the design work. Elya sees herself as something like the heroine of the film Pretty Woman, but Matvey turns out to be not at all the person she imagined.

Yaramaz

Moscow, 1952, mid-October, the XIX Congress of the CPSU had just ended. A communal apartment on Bolshaya Pirogovka. In one of the rooms lives the Petkevich family: Ariadna with her husband Boris and her parents, professor of philosophy Peter Kazimirovich and his wife Angelina Fyodorovna. For those few months that remained until Stalin's death, the family experiences a series of dramatic events. But on a background of terrible time, antisemitism, fabricated "case of doctors", denunciations and snitches, there are people who live their lives without losing dignity.

Here's to You and Us!

Family film about the adventures of a lost girl in Moscow. The world of the megalopolis is dangerous, but the five-year-old Natasha is so sincere and trusting about others that when meeting her, they change for the better. This is a story about a child and modern Moscow, told in the language of the current generation and continuing the traditions of good domestic cinema.

The Foundling

On a country road, Irina hits a dog and brings it to its owner Mikhail. His eight-year-old son Dima, who has been silent for a year due to psychological trauma, mistakes Irina for his dead mother. It’s time for Irina to leave, but Dima begins to become hysterical, and Mikhail, fearing that he will shut up again, forcibly holds Irina back. She becomes a prisoner in their house.