Federico Veiroj’s fourth feature examines the many, often contradictory layers that make up one’s persona, in this case, a single dad and acclaimed artist who must learn to balance family with creativity.

Belmonte

Cuackero is a strange planet where humans and humanoid ducks coexist in harmony. As on Earth, siblings often have conflicts that, even though they are absurd, are still very problematic. Pancho is a frustrated duck who blames his brother for all of his misfortunes and has decided to take revenge and enslave the planet in a single masterful move. Only he did not contemplate in his plans the possibility of his brother making powerful alliances and discovering how to stop him.

Cuack!

How does a starving and helpless vampire survive in an unknown city? The question harasses the protagonist in a Montevideo that she summons, with incomparable grace, the figure of the fearsome being that has become fragile, trapped in a destiny that she has not chosen and from which she cannot escape.

Montevideo Vampiro

Juana is twelve years old, she smokes and says she is pregnant. In the torpor of an immutable end of summer, she wanders between absence and disagreement with the adult world.