Rosa Luxemburg’s letters from prison form the backbone of Ghassan Salhab’s essayistic collage. Luxemburgs’s lyrical descriptions of nature bear witness to a joie de vivre undimmed by the political situation of the time and are not seen, but rather heard – in both German and Arabic. In connection with images of a wintry Berlin, a polyphony of different overlapping visual and acoustic layers is produced.

An Open Rose

It's autumn. A man and a woman are about to leave a restaurant situated in the heart of the Lebanese mountains. They are suprised by fighter planes screaming past at low altitude. In the distance, war seems to be breaking out once more. Losing sight of the woman, the man starts looking for her. He finds her on the other side of the mountain. Together they sink deeper into nature, which becomes increasingly spectral, just like the slender thread that ties them to each other.

The River

Lebanon, 2019-2023: a chronicle of the uprising, its fading and its end. From collective hope to intimate pain, can cinema resist the irreversible?