The main character of the film is Ophira (Dina Limon), a drawing teacher, who is retiring. With the daily routine no longer needed, she decides to fulfill a long-held dream of becoming an artist. Ophira asks her husband to clear out one of the rooms in their house to create a studio, and she asks her friend, a renowned gallery owner, to organize an exhibition for her future paintings. Despite not receiving much support from either of them, she starts working on her art. However, it soon becomes clear that Ophira doesn't really know what to paint about. The film explores the refusal to age and the aspiration to understand oneself at any age.

Round Three

The film presents fascist ideologies since the beginning of the 20th Century. The actor/presenter of Maurice Barrés argues against foreign labor on the Tel Aviv beach. Mussolini in a gym. Jose Antonio Primo de Rivera in a bookshop. Carl Schmitt at court. Abba Ahimeir and Itamar Ben-Avi in a public library. Gudrun Streiter recalls her love affair with an SA Stormtrooper with Hitler and Himmler on a bench in a park. Three Rabbis from the Yitzhar Settlement on the West Bank: Shapira, Ginzburg and Elitzur have recently ruled that "there is a reason to kill a child if it is clear that it will grow to harm us" (Torat Hamelekh, 2009, pg. 207). They too appear and discuss their interpretation of Divine commands on a park bench.

Our Beds Are Burning

Yair, an ultra-Orthodox Yeshiva student, opens an electronics shop in "Geula", a neighborhood that is the shopping epicenter for the entire ultra-Orthodox community in Jerusalem. The religious character of the neighborhood is enforced by the "Geula Committee" and Yair strictly adheres to their rules. His shop is introducing a world of advanced technology that overnight becomes a magnet for every ultra-Orthodox household, but the increasing intrusion of modernity is an affront to the committee, leading to an inevitable conflict that forces Yair into a desperate struggle for survival.