When Yoel hears about an imminent Iranian military attack on Tel Aviv, he knows what to do - escape with his family to a safe haven in Jerusalem. His son Assaf, who is a filmmaker and about to become a father himself, wants to give Yoel one last lead role in his movie by melting the fictional world into bittersweet reality.

The Death of Cinema and My Father Too

Between four walls, two women are waiting. One let death come and get her. The other that his life finally begins. Based on a recorded conversation, the film simulates their attempt to escape what they can't help but live, as they realise that 'nothing' can sometimes be special.