Until she was 16, filmmaker Chiara Marotta lived in a Christian community where everything revolved around prayer and reflection. Life was bound by regularity and rules that kept contact with the outside world to a minimum. The rebellious Marotta couldn't stand it, but when she left, her grandmother, mother, and sister stayed behind. Just before the community is about to move to a complex outside the city, Marotta returns to start a conversation.

Il momento di passaggio

Anna and Lucia, two women in their twenties, one Italian and one of Nigerian origin, take turns caring for Maria, a bedridden old lady living in a large, antiquated and silent house. Anna looks after Maria during the day, while Lucia has the night shift: the change of shift is the only moment at which the two young women meet, but in that short span of time the differences between them flare up every day, in a conflict in which each asserts—one at the expense of the other—her own position in the world.