Ariel de Bigault's work has been connected to the routes of the Lusophone World. In Fantasmas do Império we are guided by the saotomean actor Angelo Torres through some works of the Portuguese cinema that explored its colonial past. Some directors as Fernando Matos Silva, João Botelho or Margarida Cardoso help to understand imperialism, colonialism, and propaganda seen through the "family album" which is the Portuguese cinematic collective imaginary.

Fantasmas do Império

“I am totally in love with Timor!”, said the Portuguese poet, anthropologist and agronomist Ruy Cinatti upon arriving on the island. From 1946 to 1974, he led a nomadic experiment, building a lasting relationship with Timor-Leste’s people and territory. The cultural identity he sought to protect is threatened by colonial oppression and the decline of the Portuguese Empire. Rejecting these circumstances, Cinatti reaches out to the people and its tribes, documenting rituals, filming, photographing and even making blood oaths with tribal chiefs to gain access to sacred places and become a Timorese.