In the number 46A from the Bica do Sapato Street in Santa Apolónia, is HAUS, a musical all-rounder where is created what we hear on the streets. Divided into seven episodes, where each one is centered on various artists and bands.

Set against the backdrop of a traditional Portuguese society, Fado Bicha (trans)forms heteronormative Fado music into a queer labyrinth of self-acceptance and self-expression. By reclaiming the scars that homophobia and transphobia have given them, Fado Bicha exposes what Fado music could have been if society were more accepting.