The film trilogy "Tetuan, Tetuán, Tetwan" deals with the traces that the colonial past in Morocco has left in Spanish society through an experimental collaborative methodology. It examines cultural production, public space and the collective imaginary through the prism of the ghost, understood as an echo of silenced voices and historical facts. Developed with Moroccan and Spanish cultural agents, the project explores narrative strategies to resignify places such as the Plaça Tetuan in Barcelona, the neighborhood of Tetuán de las Victorias in Madrid or the cinema “Español” in the proper city of Tetwan, Morroco.

Tetuan, Tetuán, Tetwan (Primera parte)

Lola, the modern and chaotic grandmother of Edgar and Robert, took care of them after the death of her daughter a few years ago. The three live in a modest house of the outskirts in Barcelona, and nothing makes them suspect that their quiet life is about to change dramatically. Lola has entered an advanced Alzheimer's process and children, who are not willing to separate them and end up in a host place, will take care of her with great ingenuity and overflowing fantasy, hiding her disease. For this they will have to face, like Robert in their athletics competitions, more than 3,000 obstacles.