On his deathbed, his royal highness Alfredo, King without a crown, is taken back to distant youth memories and the time he dreamt of becoming a fireman. The encounter with instructor Afonso from the fire brigade, opens a new chapter in the life of the two young men devoted to love and desire, and the will to change the status quo.

Will-o’-the-Wisp

Set against the backdrop of a traditional Portuguese society, Fado Bicha (trans)forms heteronormative Fado music into a queer labyrinth of self-acceptance and self-expression. By reclaiming the scars that homophobia and transphobia have given them, Fado Bicha exposes what Fado music could have been if society were more accepting.