The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.

D'Vinci Testa Rosa Now

A biographical documentary about performer Leon Dziemaszkiewicz, where artistic creation, the passing of time and coping of loss blend over the death of his loved one, the famous fashion designer Thierry Mugler.

Leon

A modern version of the Oedipus myth. The action of the film takes place in an unspecified place (in a town at the foot of a cliff, between a garbage dump, barns and a forest), where people hide painful secrets. Diana, after years of absence, returns to town with milk flowing from her breasts. He has depression and memory lapses. Her return coincides with a crime committed in the nearby forest. Things get complicated when the main suspect - Maj - befriends ten-year-old Dagmara, the victim's daughter. Their relationship is based on exceptional sensitivity and opposition to the broken world. When a ponytail entangles them while playing in the river, May knows it's a bad sign.