It is evening. Tarek is seventeen years old and is on his way to see his friends, who have asked him on the telephone to pass by the park first and buy a few grams of dope: nothing much, just enough for some fun. The boy buys the stuff in the dark park, but when he emerges finds that someone has seen him: a policeman in plain clothes, sitting in his own car. The man could simply confiscate the hash, intimidate him a little and then let him go, or he could decide to take him to the station and call his parents. But he opts for neither of these things. He tells the young man to get in the car and starts the engine. Where does he want to take him? The policeman is ambiguous, mysterious. What does he want from the teenager? Tarek is in check, he can’t just leave. The policeman makes him stay with him the whole night, driving around in apparently aimless fashion, stopping first in one place, then in another.

Ghost Night

Rome, 1977. Small town boy Tano joins the far left movement in Rome where he finds an old love and a new friend. His life takes an odd turn when he finds a bold new world, magical and surreal, that's only one door away.

Happy Gypsies

Catene

Herkesin gizli saklı arzuları vardır; arzular dünyanın her yerinde mevcuttur; bu film de, özel bir “ajansın” bu derin arzuları sömürüp pornoyu sermayeye dönüştürerek kitle kültüründe nasıl devrim yarattığının hikâyesini anlatıyor. Diva Futura ajansının sıradışı hikâyesi bizlere genç sekreter Debora tarafından aktarılıyor. İtalya, 1980’ler-1990’lar. Riccardo Schicchi'nin yönlendirdiği genç kızlar Ilona Staller “Cicciolina”, Moana Pozzi, Eva Henger ve diğerleri birdenbire dünyaca ünlü yıldızlar haline gelmiş, şahsi TV ve video oynatıcılarının patlaması sayesinde evlere girmiş, hatta milletvekili seçilmişti. Ancak bu ikonik divaların kimsenin aşina olmadığı, yürek burkan hayat öyküleri vardı; hiçbiri tesadüfen oraya gelmemişti