Petr Michal‘s meditative documentary follows the current life of an esteemed Czech literary translator, Anna Karenina. The film largely treats the relationship with her late husband, poet Petr Kabeš, and the feeling of loneliness she has been facing since his death. It is definitely not a conventional documentary portrait, since the director does not ask questions, and instead lets Karenina voice out her thoughts and feelings, observing her with a casual camera during work or on her mountaineering trips. The film also serves as an implicit proof of love to analogue medium: not only the book, but analogue film as well, with its invisible, yet almost tangible features.

Found by the One She Seeks

The director, a young man in his thirties going through a life crisis, approaches his estranged parents to help him paint his apartment. Conversations accompanied by a paint roller and paint thinner open up old wrongs while revealing the complexity of interpersonal relationships. The absence of communication, or the lack of will to communicate, as a symptom of contemporary family ties, stands in contrast to caring for a family of pigeons that has made its nest on the director's balcony. The film, in its civility and authenticity, follows the lessons of a book dedicated to amateur filmmakers and thus enters into a subversive dialogue with the paradigms of film pedagogy.