During the years of socialism, Moscow has turned into a kind of museum - a sort of glyptotek (collection of sculptures) of the Soviet period. But city monuments are not just museum exhibits, they "live" among us on the streets and squares, their fates are closely intertwined with the fates of the city and its inhabitants, with the events taking place at their pedestals. What place does the Soviet monumental heritage occupy in our cultural consciousness and in the space of a modern city?

Süresi

Türler

Orijinal Adı

Uyarılar

Boris Karadzhev

From the Life of Monuments

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

In March 2018, oncologist Andrey Pavlenko learned that he had stomach cancer. For almost two years, Andrey struggled with the disease and simultaneously performed operations, created his own department in the clinic, and launched his own charitable foundation. All this time, it was filmed by the team of special projects of the portal "Such things". Andrey's chances of recovery were about 50-50. Eight rounds of chemotherapy, stomach removal, recovery, community service, and depression are what he went through during the treatment. On January 5, 2020, Andrey died. Before his death, realizing that there was not much time left, he gave one last interview. It became the basis of the film.

Sergey Karpov

The Life of a Man. Last Interview