Francesco Guccini

Ellade Bandini

Juan Carlos Biondini

Roberto Manuzzi

Antonio Marangolo

Pierluigi Mingotti

Vince Tempera

Paolo Simonazzi

Vittorio Piombo

Süresi

Türler

Orijinal Adı

Uyarılar

Francesco Conversano

Nene Grignaffini

La mia Thule

Ediz Hun

Sezer Güvenirgil

Hayati Hamzaoglu

Aliye Rona

Enver Dönmez

Suphi Tekniker

Meltem Mete

Süheyl Egriboz

Hüseyin Zan

Hüseyin Güler

Ahmet'in kardeşi Nazlı, tecavüze uğradıktan sonra hayatını sonlandırır. Onun intikamını almak isteyen Ahmet, yaşadıklarını tecavüzcüye yaşatmak için yollara düşer fakat hiç beklenmedik bir şekilde âşık olur.


Kanlı Aşk

Bernardo Bertolucci

Gabriel García Márquez

Vittorio Taviani

Paolo Taviani

Umberto Eco

Carlo Lizzani

This short film tells the story of the most important cinema trend that Italy has ever produced - Neo Realism. Born after the Second World War, this veritable cultural revolution rapidly became a boundless source of inspiration for movie-makers throughout the entire world. Even today it influences those wanting to produce quality movies characterized and identified as Italian products able to be exported as well. It is precisely one of the masters of this unique current rich in different personalities who introduces the story - Carlo Lizzani - whose 'lesson' reconstructs the birth and development of Neorealism in Italy. It combined innovative movie techniques with a new view based on a 'true' interpretation of reality. Due to its high cultural value, this short film was given the highest reknown of the Presidency of the Republic of Italy.

Gianni Bozzacchi

We Weren't Just Bicycle Thieves: Neorealism