A burlesque dancer with dreams of becoming a comic book artist investigates the disappearance of a close friend.

Door Mouse

In a small Saskatchewan town in the 1960s, Yvette Wong, a young girl of Chinese and Cree heritage, struggles with her Indigenous identity amidst family tragedy in this coming-of-age film directed by Mohawk artist and filmmaker Shelley Niro. Yvette’s mother, Katherine, discourages her from embracing her Cree identity, so she explores it in secret. As she learns more about herself and her Indigenous heritage, Yvette finds a friend in Maggie Wolf, who embraces being part Mi’kmaq and encourages Yvette to be proud of being Cree. When her classmates learn about her Cree ancestry, Yvette encounters the realities of being Indigenous, facing prejudice with pride and holding fast to her dream of becoming a doctor. Café Daughter is inspired by true events and based on Kenneth T. Williams’ play of the same name.

Café Daughter

A schizophrenic filmmaker, traumatized since childhood by the murder of his mother, writes and plots a retelling of his past staring a naive teenage girl and her friends while a creepy old man haunts them in the woods.

All Hallows Eve: October 30th

Ziggy is a thirtysomething Kahnawake Mohawk woman with a burgeoning career in Toronto as a social media influencer. Shortly after signing a sponsorship contract with Nature’s Oath, a seed company with questionable ethics, she is called back to the rez to house-sit for her cousin. Things take a turn for the worse, however, when a violent man breaks into Ziggy’s family home to steal her aunt’s heirloom seeds. Ziggy is forced to fight back and protect her people’s land and legacy.